Details
British Newspaper Strips
A Contextual HistoryPalgrave Studies in Comics and Graphic Novels
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CHF 153.50 |
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| Verlag: | Palgrave Macmillan |
| Format: | |
| Veröffentl.: | 09.08.2024 |
| ISBN/EAN: | 9783031612138 |
| Sprache: | englisch |
| Anzahl Seiten: | 240 |
Dieses eBook enthält ein Wasserzeichen.
Beschreibungen
<p>This book explores the history and development of the British daily newspaper strip. It considers such strips within their political, commercial and societal contexts and fills in a crucial section of publishing history that has been largely overlooked by both comics and newspaper studies to date. Beginning with an examination of the role of the image within British publishing in the final decades of the nineteenth century, the book moves on to explore the arrival and development of the first daily strips. It considers the links that bound these strips to surrounding cultural forms, their relationship to their host newspapers, and their position within the wider structures of the emerging popular press. Subsequent chapters cover a range of topics including the impact of the world wars, the anti-comics campaigns of the 1940s and 50s, and how changes to British publishing and wider society shaped the newspaper strips of the final decades of the twentieth century. Culminating with a discussion of the way in which strips became established within the broadsheet press from the 1960s, the book builds to provide a detailed overview of the twentieth century development of this most neglected cultural form. </p>
<p>Chapter 1: Introduction.- Chapter 2: The Rise of the New Journalism.- Chapter 3: The Market Expands.- Chapter 4: The Birth of the <em>Daily Mirror</em> and the Arrival of the Newspaper Strip.- Chapter 5: 1906 to 1920: A Period of Consolidation.- Chapter 6: The Second Coming of the <em>Daily Mirror</em>.- Chapter 7: <em>Jane</em> and the <em>Daily Mirror</em> in the Second World War.- Chapter 8: Syndication and Sanitisation.- Chapter 9: Postwar Politics.- Chapter 10: The Birth of IPC.- Chapter 11: The Sixties Start to Swing.- Chapter 12: Sunrise.- Chapter 13: Conclusion.</p>
<p><strong>Adam Twycross</strong> is a Senior Lecturer at Anglia Ruskin University, UK and has taught extensively in the fields of animation, comics studies, VFX and computer games. His research focuses on newspaper strips, comics for non-juvenile audiences and the lost histories of British comics creators. <em>British Newspaper Strips</em> is his first book. </p>
<p>“A welcome and necessary addition to the histories of print in Britain... What a joy to have such a volume finally.”</p>
<p><strong>- Ian Gordon</strong>, author of <em>Comic Strips and Consumer Culture</em></p>
<p> </p>
<p>“Told with a scholar’s meticulousness and a journalist’s nose for hidden connections… Twycross offers a new framework, one that will become indispensable as readers discover the riches of newspaper comics in the exploding online archives of our new century.”</p>
<p><strong>- Joe Sutliff Sanders</strong>, Associate Professor, University of Cambridge, UK</p>
<p> </p>
<p>“Rigorously researched and engagingly written, it’s a fascinating read.”</p>
<p><strong>- Julia Round</strong>, Associate Professor, Bournemouth University, UK</p>
<p> </p>
<p>This book explores the history and development of the British daily newspaper strip. It considers such strips within their political, commercial and societal contexts and fills in a crucial section of publishing history that has been largely overlooked by both comics and newspaper studies to date. Beginning with an examination of the role of the image within British publishing in the final decades of the nineteenth century, the book moves on to explore the arrival and development of the first daily strips. It considers the links that bound these strips to surrounding cultural forms, their relationship to their host newspapers, and their position within the wider structures of the emerging popular press. Subsequent chapters cover a range of topics including the impact of the world wars, the anti-comics campaigns of the 1940s and 50s, and how changes to British publishing and wider society shaped the newspaper strips of the final decades of the twentieth century. Culminating with a discussion of the way in which strips became established within the broadsheet press from the 1960s, the book builds to provide a detailed overview of the twentieth century development of this most neglected cultural form. </p>
<p><strong>Adam Twycross</strong> is a Senior Lecturer at Anglia Ruskin University, UK and has taught extensively in the fields of animation, comics studies, VFX and computer games. His research focuses on newspaper strips, comics for non-juvenile audiences and the lost histories of British comics creators. <em>British Newspaper Strips</em> is his first book.</p>
<p><strong>- Ian Gordon</strong>, author of <em>Comic Strips and Consumer Culture</em></p>
<p> </p>
<p>“Told with a scholar’s meticulousness and a journalist’s nose for hidden connections… Twycross offers a new framework, one that will become indispensable as readers discover the riches of newspaper comics in the exploding online archives of our new century.”</p>
<p><strong>- Joe Sutliff Sanders</strong>, Associate Professor, University of Cambridge, UK</p>
<p> </p>
<p>“Rigorously researched and engagingly written, it’s a fascinating read.”</p>
<p><strong>- Julia Round</strong>, Associate Professor, Bournemouth University, UK</p>
<p> </p>
<p>This book explores the history and development of the British daily newspaper strip. It considers such strips within their political, commercial and societal contexts and fills in a crucial section of publishing history that has been largely overlooked by both comics and newspaper studies to date. Beginning with an examination of the role of the image within British publishing in the final decades of the nineteenth century, the book moves on to explore the arrival and development of the first daily strips. It considers the links that bound these strips to surrounding cultural forms, their relationship to their host newspapers, and their position within the wider structures of the emerging popular press. Subsequent chapters cover a range of topics including the impact of the world wars, the anti-comics campaigns of the 1940s and 50s, and how changes to British publishing and wider society shaped the newspaper strips of the final decades of the twentieth century. Culminating with a discussion of the way in which strips became established within the broadsheet press from the 1960s, the book builds to provide a detailed overview of the twentieth century development of this most neglected cultural form. </p>
<p><strong>Adam Twycross</strong> is a Senior Lecturer at Anglia Ruskin University, UK and has taught extensively in the fields of animation, comics studies, VFX and computer games. His research focuses on newspaper strips, comics for non-juvenile audiences and the lost histories of British comics creators. <em>British Newspaper Strips</em> is his first book.</p>
Explores the history and development of the British daily newspaper strip Covers the impact of the world wars, the anti-comics campaigns of the 1940s and 50s and changes to British publishing Fills in a crucial section of publishing history that has been largely overlooked
<p>“British Newspaper Strips is a history told with a scholar’s meticulousness and a journalist’s nose for hidden connections. As Twycross offers the surprising story of how these comics spotlighted the ways in which twentieth-century tastes, political perspectives, economies, and readerships pushed and pulled against one another, he offers a new framework, one that will become indispensable as readers discover the riches of newspaper comics in the exploding online archives of our new century.” (Joe Sutliff Sanders, Associate Professor, University of Cambridge, UK)<br>
<br>
“Adam Twycross brings British newspaper strips into the comics studies fold: tracing their changing sociocultural significance and exploring their relationships with weekly comics and other media forms across the twentieth century. Rigorously researched and engagingly written, it’s a fascinating read – ‘Jane’ never looked so political!” (Julia Round, Associate Professor, Bournemouth University, UK)<br>
<br>
“Adam Twycross’s British Newspaper Comic Strips is a welcome and necessary addition to the histories of print in Britain. Twycross examines the important role comic strips played in shaping mass circulated newspapers in Britain. What a joy to have such a volume finally.” (Ian Gordon, author of “Comic Strips and Consumer Culture”)</p>
<br>
“Adam Twycross brings British newspaper strips into the comics studies fold: tracing their changing sociocultural significance and exploring their relationships with weekly comics and other media forms across the twentieth century. Rigorously researched and engagingly written, it’s a fascinating read – ‘Jane’ never looked so political!” (Julia Round, Associate Professor, Bournemouth University, UK)<br>
<br>
“Adam Twycross’s British Newspaper Comic Strips is a welcome and necessary addition to the histories of print in Britain. Twycross examines the important role comic strips played in shaping mass circulated newspapers in Britain. What a joy to have such a volume finally.” (Ian Gordon, author of “Comic Strips and Consumer Culture”)</p>
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