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Marie de France, a seminal figure of the twelfth century, remains an iconic yet enigmatic author in the arena of medieval literature. Flourishing within the courtly circles of England and France during the latter part of the 12th century, Marie's identity is historically elusive, but her literary legacy endures. Her formidable corpus includes not only the 'Lais de Marie de France'—a collection of twelve narrative poems which embody the chivalric and courtly ideals of her time—but also a fable collection and a saint's life. The lais, composed in Anglo-Norman French, deftly combine elements of Breton folklore, courtly love, and the supernatural. Within her lais, texts such as 'Guingamor, Lanval, Tyolet, Bisclaveret' have been carefully rendered into English prose by modern scholars, providing a critical insight into her narrative acumen. Appreciated for their inventive plot lines and nuanced characters, Marie's works often challenge the socio-cultural norms of her epoch, particularly in their portrayal of the feminine experience and autonomy. Her literary style is eminent for its lyrical quality and moral complexity, embedding within each lais an intricately veiled critique of the aristocratic society that was her milieu. The enduring fascination with Marie de France's oeuvre testifies to its aesthetic and scholarly significance in the canon of medieval European literature.