Details
Kabumpo in Oz
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CHF 10.00 |
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| Verlag: | Erika Audio |
| Format: | MP3 (in ZIP-Archiv) |
| Veröffentl.: | 01.08.2022 |
| ISBN/EAN: | 4061707999970 |
| Sprache: | englisch |
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Beschreibungen
Dear children: Do you like Elephants? Do you believe in Giants? And do you love all the jolly people of the Wonderful Land of Oz? Well then you'll want to hear about the latest happenings in that delightful Kingdom. All are set forth in true Oz fashion in "Kabumpo in Oz," the sixteenth Oz book. Kabumpo is an Elegant Elephant. He is very old and wise, and has a kindly heart, as have all the Oz folks. In the new book you'll meet Prince Pompa, and Peg Amy, a charming Wooden Doll. There are new countries, strange adventures and the most surprising Box of Magic you have ever heard of. Ruggedo , the wicked old Gnome King, does a lot of mischief with this before Princess Ozma can stop him. Of course Dorothy, the Scarecrow, Scraps, Glinda the Good, Tik-Tok, and other old friends all are alive and busy in the new book. I am just back from the Emerald City with the best of Oz wishes for everybody, but especially you.
An avid reader of Baum's books and a lifelong children's writer, Thompson was born in Philadelphia, Pennsylvania and began her writing career in 1914 when she took a job with the Philadelphia Public Ledger; she wrote a weekly children's column for the newspaper. She had already published her first children's book, The Perhappsy Chaps, and her second, The Princess of Cozytown, was pending publication when William Lee, vice president of Baum's publisher Reilly & Lee, solicited Thompson to continue the Oz series. (Rumors among fans that Thompson was Baum's niece were untrue.) Between 1921 and 1939, she wrote one Oz book a year. (Thompson was the primary supporter of her widowed mother and invalid sister, so that the annual income from the Oz books was important for her financial circumstances.)
Thompson's contributions to the Oz series are lively and imaginative, featuring a wide range of colorful and unusual characters. However, one particular theme repeats over and over throughout her novels, with little variation. Typically in each of Thompson's Oz novels, a child (usually from America) and a supernatural companion (usually a talking animal), while traveling through Oz or one of the neighboring regions, find themselves in an obscure community where the inhabitants engage in a single activity. The inhabitants of this community then capture the travelers, and force them to participate in this same activity.
Another major theme has elderly characters, most controversially, the Good Witch of the North, being restored to "marriageable" age, possibly because Thompson herself never married. She had a greater tendency toward the use of romantic love stories (which Baum usually avoided in his fairy tales, with about 4 exceptions). While Baum's child protagonists tended to be little girls, Thompson's were boys. She emphasized humor to a greater extent than Baum did, and always considered her work for children, whereas Baum, while first and foremost considering his child audience, knew that his readership comprised all ages.
Thompson's last Oz story, The Enchanted Island of Oz(1976), was not originally written as an Oz book.
Thompson's contributions to the Oz series are lively and imaginative, featuring a wide range of colorful and unusual characters. However, one particular theme repeats over and over throughout her novels, with little variation. Typically in each of Thompson's Oz novels, a child (usually from America) and a supernatural companion (usually a talking animal), while traveling through Oz or one of the neighboring regions, find themselves in an obscure community where the inhabitants engage in a single activity. The inhabitants of this community then capture the travelers, and force them to participate in this same activity.
Another major theme has elderly characters, most controversially, the Good Witch of the North, being restored to "marriageable" age, possibly because Thompson herself never married. She had a greater tendency toward the use of romantic love stories (which Baum usually avoided in his fairy tales, with about 4 exceptions). While Baum's child protagonists tended to be little girls, Thompson's were boys. She emphasized humor to a greater extent than Baum did, and always considered her work for children, whereas Baum, while first and foremost considering his child audience, knew that his readership comprised all ages.
Thompson's last Oz story, The Enchanted Island of Oz(1976), was not originally written as an Oz book.
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