Details

The Disneyfication of Animals

The Palgrave Macmillan Animal Ethics Series

von: Rebecca Rose Stanton
CHF 165.50
Verlag:	Palgrave Macmillan
Format:	PDF
Veröffentl.:	17.09.2020
ISBN/EAN:	9783030493165
Sprache:	englisch

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Beschreibungen

Titelbeschreibung

<div><div><p>This book critically examines how Walt Disney Animation Studios has depicted – and sometimes failed to depict – different forms of harming and objectifying non-human animals in their films. Each chapter addresses a different form of animal harm and objectification through the theories of speciesism, romanticism, and the ‘collapse of compassion’ effect, from farming, hunting and fishing, to clothing, work, and entertainment. Stanton lucidly presents the dichotomy between depictions of higher order, anthropomorphised and neotonised animal characters and that of lower-order species, showing furthermore how these depictions are closely linked to changing social attitudes about acceptable forms of animal harm.</p>

<p>An engaging and novel contribution to the field of Critical Animal Studies, this book explores the use of animals not only in Disney’s best known animated films such as <i>101 Dalmatians</i>, but also lesser known features including <i>Home on the Range</i> and <i>Fun and Fancy Free</i>. A quantitative appendix supplying data on how often each animal species appears and the amount of times animal harm or objectification is depicted in over fifty films provides an invaluable resource and addition to scholars working in both Disney and animal studies.</p><br></div></div>

Inhaltsverzeichnis

1. WDAS' Portrayal of Food Farming- 2. Hunting and Fishing in WDAS films.- 3. Clothing and Other Objects Made from Animals.- 4. Pets and Working Animals in WDAS Films.- 5. Animal "Entertainers" in WDAS Films.

Autorenportrait

<p><b>Dr Rebecca Rose Stanton</b> is an animal rights scholar, activist, and lifelong advocate for the better rights of animals. Completing her PhD in animal studies at Northumbria University, UK, she is an associate fellow at the Oxford Center for Animal Ethics, and conveys the “Animals and Animation” group for the Society of Animation Studies.</p>

Back cover copy

<div><p>This book critically examines how Walt Disney Animation Studios has depicted – and sometimes failed to depict – different forms of harming and objectifying non-human animals in their films. Each chapter addresses a different form of animal harm and objectification through the theories of speciesism, romanticism, and the ‘collapse of compassion’ effect, from farming, hunting and fishing, to clothing, work, and entertainment. Stanton lucidly presents the dichotomy between depictions of higher order, anthropomorphised and neotonised animal characters and that of lower-order species, showing furthermore how these depictions are closely linked to changing social attitudes about acceptable forms of animal harm.</p><p>An engaging and novel contribution to the field of Critical Animal Studies, this book explores the use of animals not only in Disney’s best known animated films such as <i>101 Dalmatians</i>, but also lesser known features including <i>Home on the Range</i> and <i>Fun and Fancy Free</i>. A quantitative appendix supplying data on how often each animal species appears and the amount of times animal harm or objectification is depicted in over fifty films provides an invaluable resource and addition to scholars working in both Disney and animal studies.</p></div>

Sonderbeitrag

Shows how Disney's depictions of animals and animal harm can affect animal species in reality Explores the depictions of farming, hunting, fashion, entertainment and pets in Disney animated films Includes an appendix which supplies data on how often each animal species appears, and how often animal harm/objectification is depicted in WDAS films