Details

<p>1. Introduction - Dawn Mannay, Alastair Roy, and Helen Kara</p>
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<p> Section 1: Creative Analysis of Quantitative Data</p>
<p> 2. Five Survive Lockdown: Re-Visualising Survey Data as a Graphic Novella - Kate Carruthers Thomas</p>
<p> 3. Visually Mapping the Interplay between Pandemic Interest Groups and ‘the Vulnerable’ in Newspaper Accounts, 2018–2022 - Stuart Neilson and Neil Kenny </p>
<p> 4. Using Discourse Analysis to Inform Content Analysis: A Pragmatic, Mixed Methods Approach Exploring How the Headteacher Role is Articulated in Job Descriptions - Alexandra Morgan, Andrew James Davies, and Emmajane Milton</p>
<p> 5. Word Clouds as Creative Data Analysis – What Can They Tell Us AboutStudent Views of Learning Something New? - Louise Gascoine, Kate Wall, And Steve Higgins</p>
<p> </p>
<p> Section 2: Creative Embodied Analysis </p>
<p> 6. Analysing Creative Multimodal Data for a Scientific Audience - Jennifer S. Leigh, Jennifer R. Hiscock, Sarah Koops, Anna J. Mcconnell, Cally J.E. Haynes, Claudia Caltagirone, Marion Kieffer, Emily R. Draper, Anna G. Slater, Kristin M. Hutchins, Davita Watkins, Nathalie Busschaert, and Larissa K.S. Von Krbek</p>
<p> 7. Object-Work as a Creative Approach to Data Analysis in Embodied Inquiry - Nicole Brown </p>
<p> 8. A Composite Approach to Analysis for Embodied Methodology - Rachel Kurtz and Laura Mazzoli-Smith</p>
<p> Part 3: Creative Performative Analysis</p>
<p> 9. Rewriting in Role: Inviting Readers through Imagination - Claire Coleman </p>
<p> 10. A Mosaic of Siblings of Cystic Fibrosis: A Creative Dramaturgical Analysis - Amie Hodges </p>
<p> 11. Theatrical Research-Based Performance: An Analytic Method Using Theatre in an Educational Context - David Duncan</p>
<p> </p>
<p> Section 4: Creative Visual Analysis</p>
<p> 12. Co-Creation of a Sensory Assemblage as Data Analysis - Melanie Roberts and Anne Collis </p>
<p> 13. Creating Artworks From Data - Charlotte Barratt </p>
<p> 14. Using Emoji As a Creative Tool for Data Analysis - Anuja Cabraal and Lauren Gawne </p>
<p> </p>
<p> Section 5: Creative Written Analysis</p>
<p> 15. I Poems and Polyvocality: Experiences of Using a Combined Qualitative Creative Analysis Technique to Strengthen the Voices of Research Participants and Aid Reflexivity - Jacqueline Dodding and Hazel Partington </p>
<p> 16. Composite Narratives, Developing Characters: A Method of Creative Data Analysis in Developing Public Engagement Artefacts - Lauren White, Adam Carter, and Katherine Davies </p>
<p> 17. Beyond the Brick Wall: Transdisciplinary and Creative Research through Scholarly Personal Narrative and Lilyology - Dawn Wink</p>
<p> </p>
<p> Section 6: Creative Arts-Based Analysis</p>
<p> 18. Slow Stitch: Reflexive Creative Analysis and Meaning Making - Naomi Clarke </p>
<p> 19. The Analogue Journey Method - Karen Gray and Emma Lazenby </p>
<p> 20. Using Creative Mapping Methods to Analyse Multimodal Data - Erin Roberts, Merryn Thomas, Karen Henwood, and Nick Pidgeon </p>
<p> </p>
<p> Section 7: Existing Methods Adapted in Creative Ways</p>
<p> 21. Embracing Creativity in Familiarisation - Louise Couceiro </p>
<p> 22. How to Be Creative When Creativity is Policed - Shehr Bano Zaidi </p>
<p> 23. Visual Grounded Theory: A New Way of Seeing, Knowing, and Constructing Theories Grounded in Data - Jacquie Ridge </p>
<p> 24. But is it Professional? Pairing Creative Practice and Thematic Analysis to Illustrate Organisational Culture - Kyla Tully</p>
<p> </p>
<p> Section 8: Analysis with Participants </p>
<p> 25. Using Patient and Public Involvement and Engagement and Co-production to Enrich the Analysis, Interpretation, and Utilisation of Sexual Health Research - Mar Estupiñán Fdez. De Mesa, Melvina Woode Owusu, Makeda Gerressu, Gwenda Hughes, and Catherine H. Mercer </p>
<p> 26. Creative Collaborative Data Analysis: Co-Constructing and Co-Analysing the Data Together - Jessica Mannion and the R&amp;amp;S (Relationships and Sexuality) Research Team</p>
<p> 27. Perspective Narrative Analysis: Analysing Data Creatively within a Participatory Research Group - Chloe East, Feydakeen Smith, Iris, Zaynab Charafi, Zoe Fordham, Annie Champion, and Carys Jones </p>
<p> Part 9: Pushing The Boundaries</p>
<p> 28. Analysing the Unspoken: Finding the Richness Created in Dialogue with People who Cannot Speak - Katherine Broomfield</p>
<p> 29. Speculative A/R/Tography - Kathryn Coleman, Sarah Healy, Abbey Macdonald, and Peter J. Cook </p>
<p> 30. Between Two Worlds: A Shared (Shamanic) Journey of Creative Qualitative Data Analysis and Researcher Identity - Karen Hammond and Nick Fuller </p>
<p> </p>
<p> 31. Conclusion - Alastair Roy, Dawn Mannay, and Helen Kara</p>

<p>Helen Kara is a researcher, author, teacher and speaker specialising in research methods, particularly creative methods, and research ethics at We Research It.</p>
<p> Dawn Mannay is Professor of Creative Research Methodologies at Cardiff University.</p>
<p> Alastair Roy is Professor of Social Research at the University of Central Lancashire.</p>

<p>Fills a gap as the ultimate handbook for creative data analysis; </p>
<p> Covers the analysis of qualitative and quantitative data; </p>
<p> Considers the strengths and limitations of each method and shows their applications and adaptations to other settings.</p>

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