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<span>This unique book examines the heritage and enduring relevance of Viktor Shklovsky's work from a wide range of international perspectives. The essays articulate Shklovsky's impact through various lenses including literature, literary theory, film, art theory, and philosophy from the early-1920s to the mid-1970s.</span>

<span>Introduction</span>
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<span>Irina Evdokimova </span>
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<span>Part I: Shklovsky’s Heritage in Literature </span>
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<span>Chapter 1: Thinking in Images, Differently: Shklovsky, Yakubinsky, and the Power of Evidence</span>
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<span>Michael Eskin </span>
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<span>Chapter 2: The Odyssey of Viktor Shklovsky: Life after Formalism</span>
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<span>Basil Lvoff </span>
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<span>Chapter 3: The Eternal Wonderer, or Who was Viktor Shklovsky?</span>
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<span>Slav N. Gratchev </span>
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<span>Chapter 4: Defamiliarization in translating Lewis Carroll’s Wonderland.</span>
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<span>Victor Fet and Michael Everson</span>
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<span>Chapter 5: Viktor Shklovsky on Narrative</span>
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<span>David Gorman </span>
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<span>Chapter 6: Defamiliarization and Genre: Semiotic Subversions in The Crying of Lot 49 and “Death and the Compass.”</span>
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<span>Melissa Garr </span>
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<span>Chapter 7: Shklovsky and Things, or Why Tolstoy’s Sofa should matter.</span>
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<span>Sergei Oushakine </span>
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<span>Chapter 8: The Motherland will Notice her Terrible Mistake:* Paradox of Futurism in Jasienski, Mayakovsky and Shklovsky</span>
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<span>Norbert Francis </span>
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<span>Chapter 9: Framing and Threading Non-Literary Discourse into the Structure of Cervantes´s Don Quixote II</span>
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<span>Rachel Schmidt </span>
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<span>Chapter 10: Shklovsky and World Literature. </span>
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<span>Grant Hamilton </span>
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<span>Chapter 11: Racism and Robots: Defamiliarizing Social Justice in Rosa Montero’s Tears in the Rain and the 21st Century.</span>
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<span>Steven Mills </span>
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<span>Part II: Shklovsky’s Heritage in Arts</span>
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<span>Chapter 12: Shklovsky’s Dog and Mulvey’s Pleasure: The Secret Life of Defamiliarization.</span>
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<span>Eric Naiman </span>
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<span>Chapter 13: Reading Viktor Shklovsky’s “Arts as Technique” in the Context of Early Cinema.</span>
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<span>Annie Van den Oever </span>
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<span>Part III: Shklovsky’s Heritage in Philosophy </span>
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<span>Chapter 14: Philosophical work of Russian formalism </span>
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<span>Alexander Markov </span>
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<span>Chapter 15: Shklovsky as a Technique: Literary Theory and the Biographical Strategies of a Soviet Intellectual</span>
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<span>Ilya Kalinin </span>
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<span>Chapter 16: From a New Seeing to a New Acting: Viktor Shklovsky's Ostranenie and Analyses of Games and Play.</span>
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<span>Holger Pötzsch </span>

<span>Slav N. Gratchev</span>
<span> is associate professor of Spanish at Marshall University.</span>
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<span>Howard Mancing</span>
<span> is professor emeritus of Spanish at Purdue University.</span>